Monday, October 12, 2009

Rob Glickman between the color and the white person and black


edinburgh-doorbells-2.jpg


For definition, the white person and black and the color say things in himself. The application in photo of both tonalities is justified by the proper photo, the preference of the photographer and, obviously, the perceptive capacity of the artist. In case of Rob Glickman the indecision seems to prevail, and the white person and black are merged by brilliant results.


The strongest seam of experimentation of the American Rob Glickman centers on the use of color. Glickman plays in your photos mixing both black and white tonalities and tonalities in color, adding the element of the contrast to them and producing this way impossible stages in which the outlines define the spirit of the photos.


Regrettably, the Glickman site is quite scarce of material. I rescue what exists, six photos in which sometimes it gains so much the color or the gray, but exclusively.


(I resided …)

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