Sometimes the use of the color in photo can speak for itself. This is what it does in case of Olivier Meunier, where he acquires principal leading role, covering his photo of opaque tonalities but with a valuable life to simple sight.
In some cases using white person and black, Meunier finds nevertheless (and to my judgment) his full art in the color tonalities. Opaque colors and mate, poetical and taciturn, with an inherent beauty that stands out when Meunier decides to contribute his strokes.
Very well, that thing about arrives has an undeniable poetry, but it is not the only Meunier facet. In Indicible they will find diverse material, although not in notable quantity, quite registered with equipment Nikon, and good marked by this spirit of opaqueness about which he was speaking.
(I resided …)
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